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New MP3 Revolutionizes Way You Listen to Music? |
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Korean computer engineers are introducing a new digital music format that has separate controls on the sound volume for each musical instrument, such as guitar, drum, base and voice -- an ideal tool for music lovers of different tastes as well as karaoke fans.
The new format, which has a file extension format of MT9 and a commercial title of Music 2.0, is poised to replace the popular MP3 file format as the de facto standard of the digital music source, its inventors say. The distinctive feature of MT9 format is that it has a six-channel audio equalizer, with each channel dedicated to voice, chorus, piano, guitar, base and drum. For example, if a user turns off the voice channel, it becomes a karaoke player. Or one can turn off all the instruments and concentrate on the voice of the main singer as if he or she is singing a cappella.
Ham says that the music industry should change its attitude to the market as music is becoming a digital service, rather than a physical product. MT9 is the ideal fit for the next generation of music business because it can be used for multiple services and products, such as iPhones, PCs, mobile phones and karaoke bars, he says. Full Article |
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CRIA Declares War on Private Copying Levy |
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The Canadian Recording Industry Association this week quietly filed documents in the Federal Court of Appeal that will likely shock many in the industry. CRIA, which spent more than 15 years lobbying for the creation of the private copying levy, is now fighting to eliminate the application of the levy on the Apple iPod since it believes that the Copyright Board of Canada's recent decision to allow a proposed tariff on iPods to proceed "broadens the scope of the private copying exception to avoid making illegal file sharers liable for infringement." Hearings in the iPod case are not likely to occur until 2008, yet these filings from CRIA will reverberate long after that hearing concludes. It is not every day that the recording industry acknowledges an argument widely known within legal circles - downloading music in Canada for personal purposes is arguably legal as it is compensated activity covered by the private copying levy. |
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Starting immediately, Canadian-owned Puretracks Inc. will offer 50,000 unrestricted digital files in an MP3 format that can be burned, e-mailed or copied to computers, portable music players and cellphones, said company president Alistair Mitchell. All the tracks come from smaller labels but they include indie giants known for favouring loose controls over music - Nettwerk, whose roster includes heavyweights Avril Lavigne, Sarah McLachlan and Barenaked Ladies; and Arts & Crafts, stocked with buzz bands like Broken Social Scene, Feist and Phoenix. Many of these same labels already offer MP3s on their own websites and through EMusic.com, a subscription-based service whose entire catalogue is free of copy restrictions. Full Article |
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Independent music labels form joint license agency |
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The world's independent music sector which has produced such artists
as the Arctic Monkeys, has grouped together to launch an agency to
secure licensing deals with emerging media such as MySpace and YouTube.
The group, called Merlin, was launched at the annual MidemNet music
industry conference with its backers saying it would become the "fifth
major" in the industry. The launch follows the rapid growth in
popularity of sites like YouTube, where fans post video clips carrying
their choice of music without permission from copyright holders.
The independent record label sector makes up for 30 percent of the
music sold worldwide, with the rest from the four majors -- Vivendi's
Universal Music, Sony BMG, EMI Group and Warner Music. The group
said it would aim to rectify the "poor cousin" status of deals
previously offered to independent labels and will address the "growing
assumption that, for emerging media, only the four majors need to be
licensed, with the rest free to air." 
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All hail the analogue revolution??? |
It sounds like an unlikely revival, but vinyl is scratching and crackling its way back to the top. Seven-inch vinyl records are once again a popular format for some indie singles' sales in the UK. Sales of 7-inch singles have risen to well over one million this year. The last time things looked this good for vinyl was 1998.
So why are thousands of people turning back to vinyl when tapes, and then CDs and MP3s, wiped out the vinyl singles market two decades ago? It's likely that the tactile joy of owning a physical object that represents your attachment to a band is infinitely more enjoyable than entering a credit card number into iTunes. Not to mention the fun of manipulating turntable technology to play vinyl, that sense of physical control of the medium. Sales of record decks appear to bear this out -- turntables had disappeared from high street stores but now we're beginning to see major retailers stocking these antique wonders.
What pleasure is there to be had in clicking a virtual button with a mouse? Very little, really. Whereas the slightly precarious operation of placing a record on a platter and dropping the needle seems like a surgical procedure of a kind that most modern automation has tried to completely erase.
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Warner Plans to Sell Albums on DVDs |
The music industry has for years struggled to develop a new physical format that could spark increased sales by replacing the CD. Now Warner Music Group Corp. is planning an aggressive attempt to address the issue by pushing consumers to buy their music on specially outfitted DVDs.
Warner, the world's fourth-largest music company, is in the final stages of securing technical licenses that will enable it to sell a bundle of music and extra features on a single DVD, according to people familiar with the matter. The DVD would include a music album that plays in both stereo and surround-sound on a standard DVD player -- plus video footage that plays on a DVD player or a computer. There will also be song remixes, ring tones, photos and other digital extras that can be accessed on a computer.
The DVD album is the latest in a parade of would-be successors to the CD, including the surround-sound products Super-Audio CD and DVD-Audio, and most recently DualDisc, which plays like a CD on one side and like a DVD on the other. Warner was one of two companies, along with Sony BMG, to embrace DualDisc last year. But the capacity of both the CD and DVD sides of DualDiscs is limited compared to normal CDs and DVDs. In contrast, the storage capacity of the planned Warner DVDs is up to four times what can be held on the DVD side of a DualDisc. Warner and Sony BMG have sharply scaled back their DualDisc output.
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Microsoft changes tune with Zune |
Zune is the umbrella term for the hardware player, the software on it and the download service it will be tied into. Music tracks, movies and other content will be available via this service.
Microsoft said that, at first, only music will be available via Zune with other content to follow later.
Incompatible copy protection systems will make it unlikely that music can be moved seamlessly from iTunes - used predominately by iPod owners - to Zune or vice versa.
The Zune project is aimed at toppling Apple which has a 50% share of the global portable music player market with its iPod and a 70% share of the music download market via iTunes.
Hi-tech industry watchers such as US blogger Om Malik suggested that, in the first instance, it would not be Apple that felt the effects of Zune but Microsoft's partners who produce music players of their own. 
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YouTube and the copyright cops: safe... for now? |
If you've never heard of YouTube, let me introduce you: YouTube is a massively popular video sharing site that has quickly become one of the Internet's most trafficked websites, climbing into the top 50 of all sites online in a year's time (as tracked by Alexa). According to Nielsen NetRatings, the site serves almost 13 million users a month and serves up 50 million videos each day. Maybe you've been by the site to see Jon Stewart's hilarious (yet depressingly accurate) coverage of the "'Net neutrality" debate, or maybe you enjoyed watching Ernesto Hoost and friends in Silent Library. And maybe, just maybe, you've enjoyed some videos that weren't uploaded without the copyright owner's permission, too.
See, YouTube's continued survival is bit of a mystery to some. The site thrives in part on what appears to be copyright infringement, but aside from a few scuffles (most notably with NBC), there's been nothing Napster-ish about its history. TV clips, movie clips, you name it... they all appear on the site regularly, and without authorization. So far, the major lawsuits haven't shown up.
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